Sunday 14 November 2010

Two weeks without

I haven't written in any significant quantity for two weeks. Chicago has eaten my brain, and the last week was catching up and racing the clock for the deadline. Also, of course, the job interview and assorted tensions connected to that. The muse is becoming restless.

What I've done is edit "Special Forces", done the edits for several chapters, and I'm attempting to edit up to chapter 35 before the year's up. That's about the halfway point in "Mercenaries". I'm mostly cutting back Jean at this point, as well as plots and scenes that don't go anywhere.

In good news - "The Lion of Kent" is available as audiobook from I believe it's not available for the UK, but I somehow managed to download it, regardless. (Dear Jeff Bezos, don't take my book away, please!) I'm listening to it during a few free moments, and it's very strange to hear the text spoken by somebody else. Very, very strange. The American accent of the speaker makes me laugh a bit - I do like the American accent, but it's strange to hear a medieval British/English story read by an American. I hear my own words when I read my stuff, and invariably, my mindvoice reads stuff differently. It might be as subtle as a pause or a slightly different emphasis.

But then, reading your stuff aloud - or having somebody else read it out aloud - is a priceless editing tool. Anything that sounds hollow or tinny needs to be redone and cut. So far I haven't heard anything in "Lion" I'd want to change - so that's good news.

In case I didn't mention it, "Father of All Things" has been accepted for publication by Carina Press. I might have referred to it as "the mystery project" or the "secret project", but that was mostly to keep the pressure off my co-writer, Rhianon Etzweiler, who led the project (it was her idea, and I believe most of the text is from her). If you talk too much about a project that is being written and that can still die/fail, that puts a lot of pressure on. Well, that's over. "Father of all Things" will be out with Carina Press in summer 2011.

Three weeks since I submitted "Scorpion". Usually, I hear back in 4-6 weeks, so we're getting to the interesting time window. I expect an acceptance, but of course that might be premature. Self-confidence getting in the way. I do my best to forget books once they are off to find their homes. Sometimes it even works.

Right now, two projects need tackling. One is a final rewrite of "To Catch a Spy", which involves some more research and some tightening of the plot, but at least those changes are far less severe and time consuming than the last two or three rewrites were. It can be done in a couple weeks' time. And finally "Iron Cross", which needs to be written. The main problem is that I can't decide which one I want to tackle first. Both will be all-consuming, tough pieces of work. Then again, my philosophy is to wrap up the book first that's closer to publication.

To relax, I've been watching "Burn Notice". This is a show I'd recommend to every writer. You can learn an awful lot from "Burn Notice". I might write a post about that soon, but right now, I'll do some prep work on TCaS.

1 comment:

  1. Would certainly be interested in reading a post about what you learn/see in "Burn Notice".
    I felt that way about the early season(s) of "The Unit"...until it turned into a full-on soap opera. *eyeroll*