I'm turning into my professor - the famous professor H. I once helped the man move... I didn't actually carry anything. My whole job was to sort the books by "period" and "theme" (or sub-theme of history, such as religion, warfare, mentality, nobility). It took me a whole day, long into the night. While I did that, I noticed that he owned one book (Montaillou - a book on an inquisitorial investigation in southern France during the late Middle Ages) FIVE times. Three hardcovers and a couple paperbacks.
I pointed at them, as they sat there, lined up on the shelf and asked him "why?"
He said that one had been a gift, one was owned by his wife, he bought the other one since he'd forgotten he owned the book, and the fourth was bought when he couldn't find it.
Yesterday, I bought a book because I couldn't find an absolutely crucial bit of information on German horsebreeding in WWII. Very soon, I'll enter the stage where I forgot I owned stuff (when I moved house, I already found two duplicate books - one pair on creative writing, the other pair on the history of Islam - so we're not far off).
I do wonder if ebooks are the solution to that. After all, it should be easier to organize them. Especially when the vendor keeps a copy on the shelf.
But now I'm eagerly awaiting the delivery of my horse book. And once it shows up at my door - I'll just pretend all this didn't happen and either give the second copy away as a gift (my professor gave me one of his five copies after a thoughtful moment and a "guess I really don't need FIVE."), donate them or sell them on.
Old age will be fun.
Wednesday, 25 August 2010
Wednesday, 18 August 2010
Mostly done
I spent the last days working nonstop, but it's paid off. The big technical feature is written. Tomorrow I'll do a some nip and tuck on it (okay, more than "some", I have to cut around 40%... but I already trimmed it by a third, so... yeah, I can do this), so heading off to work early again, but after that, the worst part is done.
I also finished the line-edit of "First Blood" and now have four days to do the fact checking about some details. Four days sounds like a *lot* after the amount of stuff I did recently.
I'm also flying out to Germany for a few days over bank holiday weekend, meeting friends and hopefully not working at all. While I've "done" it, and I think it's a good result and will be even better after the final cutting - I've learnt a lot about pacing myself and how much I can work on how little sleep. Getting there. I'm way more positive about the next bits and pieces. Boss seems happy, too. Overall, it's all looking good.
But right now, my brain's hurting from too much work. I'll enjoy sleeping for eight hours and relaxing, and tomorrow is the last "Kraftanstrengung" (which translates as "expenditure of strength", but the English expression isn't nearly as poignant) - stuff will be finished then, and I can book my flights.
Life's good, but pretty hard work.
I also finished the line-edit of "First Blood" and now have four days to do the fact checking about some details. Four days sounds like a *lot* after the amount of stuff I did recently.
I'm also flying out to Germany for a few days over bank holiday weekend, meeting friends and hopefully not working at all. While I've "done" it, and I think it's a good result and will be even better after the final cutting - I've learnt a lot about pacing myself and how much I can work on how little sleep. Getting there. I'm way more positive about the next bits and pieces. Boss seems happy, too. Overall, it's all looking good.
But right now, my brain's hurting from too much work. I'll enjoy sleeping for eight hours and relaxing, and tomorrow is the last "Kraftanstrengung" (which translates as "expenditure of strength", but the English expression isn't nearly as poignant) - stuff will be finished then, and I can book my flights.
Life's good, but pretty hard work.
Sunday, 15 August 2010
Long weekend
I've done a huge pile of work-related work yesterday. Then I started editing "First Blood". Note to self - editing 10k a day is bad for your sanity.
Today I got up early (on a Sunday. I'm a hero), and edited 20k of "First Blood".
That means that not only has my sanity taken a major hit, I'm also halfway through "First Blood", which has 62k words. All this so I can manage the remaining edits during a completely crazy work week. Somehow. I'm not sure how Barbara powered through 160 pages of the text on one day...she's just that good. :)
The edits are 95% "fiddly shit" as I call it - pure line-editing and having found a better word in the meantime. The 5% percent is stuff that I could have discovered with more in-depth research. I guess one never stops learning.
Now I'll have to go back to "work work" and earn my keep there. Apart from those two, I read two books for Elisa Rolle's Rainbow Awards (and both were pretty good). I'm done there, so at least there won't be frantic activity on that count in the next couple weeks.
I'll see you soon on the flipside with more interesting musings than wordcounts.
Maybe one thing - I got a long, awesome email expressing gratitude for my writing, which is always amazing and does help with the moments where I go "can't be bothered, am going to bed."
Thanks guys, for your support. It makes a huge difference.
Now I'll grab a book and a nap on the couch - I'll have to do a load of work tonight, but late afternoon is my "dead zone" anyway, and nothing gets me through editing exhaustion like a book and 30 minutes shuteye.
Today I got up early (on a Sunday. I'm a hero), and edited 20k of "First Blood".
That means that not only has my sanity taken a major hit, I'm also halfway through "First Blood", which has 62k words. All this so I can manage the remaining edits during a completely crazy work week. Somehow. I'm not sure how Barbara powered through 160 pages of the text on one day...she's just that good. :)
The edits are 95% "fiddly shit" as I call it - pure line-editing and having found a better word in the meantime. The 5% percent is stuff that I could have discovered with more in-depth research. I guess one never stops learning.
Now I'll have to go back to "work work" and earn my keep there. Apart from those two, I read two books for Elisa Rolle's Rainbow Awards (and both were pretty good). I'm done there, so at least there won't be frantic activity on that count in the next couple weeks.
I'll see you soon on the flipside with more interesting musings than wordcounts.
Maybe one thing - I got a long, awesome email expressing gratitude for my writing, which is always amazing and does help with the moments where I go "can't be bothered, am going to bed."
Thanks guys, for your support. It makes a huge difference.
Now I'll grab a book and a nap on the couch - I'll have to do a load of work tonight, but late afternoon is my "dead zone" anyway, and nothing gets me through editing exhaustion like a book and 30 minutes shuteye.
Saturday, 14 August 2010
Autumn and quote
On the way to the post office (to post "Soldiers I and II" to the winner of the charity auction) I realised summer's over. It's a certain chill in the air, a feeling of having gotten past the peak. Summer may linger a little, and might even come back with heat, but there's an insistence to the rain, a vague chill when it's cool. The colours are paling, gently, the South-East is segueing into that grey non-weather that precedes autumn. The roses have moved on - the flowers lost their strength a week ago, the fruit are closed and begin to swell to red. Nature calms, readies to preserve strength.
I've taken a pile of work home. I usually don't do that. I like my life/work balance well, balanced. But in this case I don't mind. It's a pretty awesome job, I'm working with and for awesome people (at least first level up, I don't know the powers beyond that much, yet). Then again, like a soldier, the NCO is way more important to me than the general, anyway. Rarely have I worked in such a disciplined, hard-working company. After the other places, here's a sense of "purpose" which really beats the crap out of the "I show up and collect my paycheque" attitude at the other places I've worked for.
So, that's what I'll do. In addition, Dreamspinner sent us the edits of "First Blood", which need to be returned by 23rd. I'll be frantically busy to hit the deadline at work and for the publisher, but I'll do my best. Consequently, everything else is on hold (that's editing TCaS and SF).
A couple weeks ago I found this quote by Mario Vargas Llosa:
"That is one thing I am sure of amid my many uncertainties regarding
the literary vocation: deep inside, a writer feels that writing is the
best thing that ever happened to him, or could ever happen to him,
because as far as he is concerned, writing is the best possible way of
life, never mind the social, political, or financial rewards of what
he might achieve through it."
It's from "Letters to a young Novellist", a slim little book that so far is 100% true.
I've taken a pile of work home. I usually don't do that. I like my life/work balance well, balanced. But in this case I don't mind. It's a pretty awesome job, I'm working with and for awesome people (at least first level up, I don't know the powers beyond that much, yet). Then again, like a soldier, the NCO is way more important to me than the general, anyway. Rarely have I worked in such a disciplined, hard-working company. After the other places, here's a sense of "purpose" which really beats the crap out of the "I show up and collect my paycheque" attitude at the other places I've worked for.
So, that's what I'll do. In addition, Dreamspinner sent us the edits of "First Blood", which need to be returned by 23rd. I'll be frantically busy to hit the deadline at work and for the publisher, but I'll do my best. Consequently, everything else is on hold (that's editing TCaS and SF).
A couple weeks ago I found this quote by Mario Vargas Llosa:
"That is one thing I am sure of amid my many uncertainties regarding
the literary vocation: deep inside, a writer feels that writing is the
best thing that ever happened to him, or could ever happen to him,
because as far as he is concerned, writing is the best possible way of
life, never mind the social, political, or financial rewards of what
he might achieve through it."
It's from "Letters to a young Novellist", a slim little book that so far is 100% true.
Sunday, 8 August 2010
My workspace
Okay, I'm now taking you on a tour to my workspace (aka "the desk", "the study", "where things happen"). Here's the shot from the staircase:

You see my newly-expanded desk (the cupboard to the side is the thing I build yesterday). My printer's sitting on top. The big grey folder is the master copy of "To Catch a Spy". There's a tea light holder from Turkey (red and golden light). My mouse (I'm a lefthander or "south paw"). The acrylic stapler. The big monitor. To the right, a holder with stuff - pens and sticky tape and rollerball refills. Random coins. Iphone. pen wallet with favourite pen. Underneath, a Moleskine notebook.
All the cables attached to the tower are iPhone cable, headphone cable, eReader cable. Sometimes I tidy them up, most of the time I ust make sure I don't roll over them.
Next one:

Same view from the other corridor (the one leading to the bathroom). Note the small shelf at the far end. On top, there's the books I'm currently using for reference - one on gorillas, one on the Third Reich, one on CIA issues (the latter one is for TCaS). A small black box holding more knicknacks (in this case, a single cufflink and a pen cartridge). In the corner, my smiling brass Ganesha, patron god of the arts, wisdom and overcoming obstacles.
And the last one:

Here, I'm showing off my new cupboard. Inside, far end, is paper for the printer. Note how it does look like it belongs to my desk (color of the handle matches colour of the legs). There's a box holding random stuff (in this case, tea lights and more cables). The red folder holds the print-out of "Scorpion and Steel"), the blue folder holds "Iron Cross". There they sit, patiently awaiting the day when the big grey folder holding "To Catch a Spy" is removed so they can ursurp that position.
And that's really it.
ETA: Just saw you can't see the Ganesha in the corner. Here he is:

I think that smile is irresistible. So far, when I look over, he just seems to remind me "hey, it's fun, smile. Enjoy yourself". And that does help at times. Reminds me to relax and just do it.
You see my newly-expanded desk (the cupboard to the side is the thing I build yesterday). My printer's sitting on top. The big grey folder is the master copy of "To Catch a Spy". There's a tea light holder from Turkey (red and golden light). My mouse (I'm a lefthander or "south paw"). The acrylic stapler. The big monitor. To the right, a holder with stuff - pens and sticky tape and rollerball refills. Random coins. Iphone. pen wallet with favourite pen. Underneath, a Moleskine notebook.
All the cables attached to the tower are iPhone cable, headphone cable, eReader cable. Sometimes I tidy them up, most of the time I ust make sure I don't roll over them.
Next one:
Same view from the other corridor (the one leading to the bathroom). Note the small shelf at the far end. On top, there's the books I'm currently using for reference - one on gorillas, one on the Third Reich, one on CIA issues (the latter one is for TCaS). A small black box holding more knicknacks (in this case, a single cufflink and a pen cartridge). In the corner, my smiling brass Ganesha, patron god of the arts, wisdom and overcoming obstacles.
And the last one:
Here, I'm showing off my new cupboard. Inside, far end, is paper for the printer. Note how it does look like it belongs to my desk (color of the handle matches colour of the legs). There's a box holding random stuff (in this case, tea lights and more cables). The red folder holds the print-out of "Scorpion and Steel"), the blue folder holds "Iron Cross". There they sit, patiently awaiting the day when the big grey folder holding "To Catch a Spy" is removed so they can ursurp that position.
And that's really it.
ETA: Just saw you can't see the Ganesha in the corner. Here he is:
I think that smile is irresistible. So far, when I look over, he just seems to remind me "hey, it's fun, smile. Enjoy yourself". And that does help at times. Reminds me to relax and just do it.
Saturday, 7 August 2010
Making stuff
I just started my day with putting together a cupboard. To get that thing delivered, I spent 2 hrs in a phone queue from hell, so no doubt this will become one of my most cherished pieces of furniture.
It's (fake) beech and fits neatly with my desk, giving me some of that coveted storage space for contracts and nicknacks. Also I could push my printer from my work desk and over to the cupboard. It's all still within reach, but frees up some space for planning and plotting to the side of the computer, so that makes for a much less crowded desk overall.
Now I have to decide what goes in there and how, but that's a question for another day. I've been coveting some acrylic stands and holders to complete the desk, but I'm also wary about crowding it up again. Authors can be funny about their work environment. Right now I have plenty of space to keep my couple piles of things mostly organised (usually, they are printed manuscripts and notes, where I "think"). Luxury worries if you have nothing else to worry about.
Meeting the estate agent last week was great. I'll have to do some financial planning on Thursday, but looks like all this house was an even better purchase than we thought. It's still something of an ongoing process, and with the economic data likely to get worse again (the "double dip" might just be here), we're moving very carefully indeed. People I'm talking to seem to expect things to get better in about 2-3 years... if China holds up and we don't see the real estate bubble in China explode (at the moment, my vote is, stay the hell away from China... but I'm not an economist).
The cool thing about my job is, I do get a great view on the global economy and get to talk to some seriously smart people (some of whom are scumbags). Which creates investment ideas. So I'll pretty soon start investing - the aim is to beat my pension pot in terms of performance, and the cash ISA and/or inflation at the very least. I reckon 5%/year should be doable without being a money whiz. Or doing nothing else.
And this weekend I'll work on TCaS. First steps will be to collate all the feedback I got, print out a fresh copy of the manuscript (one chapter at a time), put it all into folders, then go through it, pen in hand, identifying the things that need rewriting and improving the bits that are good.
Gritty groundwork. My least favourite bit. But the big goal is to finish this before "First Blood" comes back from Dreamspinner. Which might be very soon. Hopefully, it's all wrapped up by end of the month.
It's (fake) beech and fits neatly with my desk, giving me some of that coveted storage space for contracts and nicknacks. Also I could push my printer from my work desk and over to the cupboard. It's all still within reach, but frees up some space for planning and plotting to the side of the computer, so that makes for a much less crowded desk overall.
Now I have to decide what goes in there and how, but that's a question for another day. I've been coveting some acrylic stands and holders to complete the desk, but I'm also wary about crowding it up again. Authors can be funny about their work environment. Right now I have plenty of space to keep my couple piles of things mostly organised (usually, they are printed manuscripts and notes, where I "think"). Luxury worries if you have nothing else to worry about.
Meeting the estate agent last week was great. I'll have to do some financial planning on Thursday, but looks like all this house was an even better purchase than we thought. It's still something of an ongoing process, and with the economic data likely to get worse again (the "double dip" might just be here), we're moving very carefully indeed. People I'm talking to seem to expect things to get better in about 2-3 years... if China holds up and we don't see the real estate bubble in China explode (at the moment, my vote is, stay the hell away from China... but I'm not an economist).
The cool thing about my job is, I do get a great view on the global economy and get to talk to some seriously smart people (some of whom are scumbags). Which creates investment ideas. So I'll pretty soon start investing - the aim is to beat my pension pot in terms of performance, and the cash ISA and/or inflation at the very least. I reckon 5%/year should be doable without being a money whiz. Or doing nothing else.
And this weekend I'll work on TCaS. First steps will be to collate all the feedback I got, print out a fresh copy of the manuscript (one chapter at a time), put it all into folders, then go through it, pen in hand, identifying the things that need rewriting and improving the bits that are good.
Gritty groundwork. My least favourite bit. But the big goal is to finish this before "First Blood" comes back from Dreamspinner. Which might be very soon. Hopefully, it's all wrapped up by end of the month.
Sunday, 1 August 2010
No more ballet for me
Yesterday, I saw the Bolshoi Ballet in the Royal Opera House. I've seen some ballet in my time, always had a strange love for both classical and modern dance, thought I'd seen a good show with "Cinderella" a couple months ago.
Well, the Bolshoi makes every other ballet company I've seen look like lumbering idiots. Art can be a deeply spiritual experience. I swear I spaced out watching that, fell into a trance of sheer wonder.
"Spartacus" is so different, too. Martial, raw, testosterone-drenched, which works incredibly well with the famous Bolshoi male dancers (they are quite famous for producing the best male dancers, without matching that quality quite on the female side... I'm not sure I'm quite there yet, the women were fine, Phrygia was heartbreakingly etherial, Aegina imperial and sensuous). The sheer athleticism of the male leads was breathtaking, though. I've never seen anything like it. Quite likely, I never will again.
Art purges the emotions. Shock and awe, running us through the palette of emotion to cleanse us and leave that zen-like glow of peace and harmony with the universe. Sometimes, you just become one. Art to me is the real religion, that group experience of beauty and purity. The Bolshoi got me there, yesterday, and held me there for three hours.
It happens sometimes when I write, or read, when suddenly the universe becomes a place in one's soul, vast and yet entirely mine. And then I completely understand any other artist, too, who devotes his life to get there, and take other people there.
So much grace left me exhausted with beauty. It's that "I could die happy now" feeling.
It also ruined any other ballet for me. After I've seen what it can be like, I'm simply not interested to watch any ballet that's not the Bolshoi or as good as them. And I'm so grateful to have seen them. In terms of birthday presents, this will be very hard to beat.
Well, the Bolshoi makes every other ballet company I've seen look like lumbering idiots. Art can be a deeply spiritual experience. I swear I spaced out watching that, fell into a trance of sheer wonder.
"Spartacus" is so different, too. Martial, raw, testosterone-drenched, which works incredibly well with the famous Bolshoi male dancers (they are quite famous for producing the best male dancers, without matching that quality quite on the female side... I'm not sure I'm quite there yet, the women were fine, Phrygia was heartbreakingly etherial, Aegina imperial and sensuous). The sheer athleticism of the male leads was breathtaking, though. I've never seen anything like it. Quite likely, I never will again.
Art purges the emotions. Shock and awe, running us through the palette of emotion to cleanse us and leave that zen-like glow of peace and harmony with the universe. Sometimes, you just become one. Art to me is the real religion, that group experience of beauty and purity. The Bolshoi got me there, yesterday, and held me there for three hours.
It happens sometimes when I write, or read, when suddenly the universe becomes a place in one's soul, vast and yet entirely mine. And then I completely understand any other artist, too, who devotes his life to get there, and take other people there.
So much grace left me exhausted with beauty. It's that "I could die happy now" feeling.
It also ruined any other ballet for me. After I've seen what it can be like, I'm simply not interested to watch any ballet that's not the Bolshoi or as good as them. And I'm so grateful to have seen them. In terms of birthday presents, this will be very hard to beat.
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